Toutes peintures ā l'huile d'George Caleb Bingham


ID Image Painting(From A to Z)    Details 
50549  
George Caleb Bingham, Boater playing the Card
 
 Boater playing the Card   mk212 1847 Oil on canvas 71.1x96.8cm
45274  
George Caleb Bingham, Bootsleute auf dem Missouri
 
 Bootsleute auf dem Missouri   mk181 1846 Winterhur
58266  
George Caleb Bingham, Daniel Boone Escorting Settlers through the Cumberland Gap
 
 Daniel Boone Escorting Settlers through the Cumberland Gap   Daniel Boone Escorting Settlers through the Cumberland Gap, oil on canvas, 1851?C52
45267  
George Caleb Bingham, Daniel Boone fuhrt eine Gruppe von Pionieren
 
 Daniel Boone fuhrt eine Gruppe von Pionieren   mk181 1851
45266  
George Caleb Bingham, Das Urteil des Volkes oder Verkundung des Wahlergebnisses
 
 Das Urteil des Volkes oder Verkundung des Wahlergebnisses   mk181 1854-55 St.Louis
45277  
George Caleb Bingham, Die Frohhichen Bootsleute
 
 Die Frohhichen Bootsleute   mk181 um1848
45353  
George Caleb Bingham, Die frohlichen Bootsleute
 
 Die frohlichen Bootsleute   mk181 1846 Ol auf Leinwand 96.9x123.2cm
45276  
George Caleb Bingham, Die frohlichen Bootsleute
 
 Die frohlichen Bootsleute   mk181 um 1848 Kansas
45352  
George Caleb Bingham, Die Heimkehr der Trapper
 
 Die Heimkehr der Trapper   mk181 1851 Ol auf Leinwand 66x92cm
45354  
George Caleb Bingham, Die Kreiswahl
 
 Die Kreiswahl   mk181 1851-52 Ol lauf Leinwand 96.9x123.8cm
50544  
George Caleb Bingham, Emigrant
 
 Emigrant   mk212 1851-52 Oil on canvas 92.7x127.6cm
50543  
George Caleb Bingham, Folk-s arbitrament
 
 Folk-s arbitrament   mk212 1854-55 Oil on canvas 92.7x127.6cm
42774  
George Caleb Bingham, Fur hand put on boots on the Missouri
 
 Fur hand put on boots on the Missouri   MK169 1845 Cloth 73.7x92.7cm Metropolitan Museum or Art
28411  
George Caleb Bingham, Fur Traders Descending the Missouri
 
 Fur Traders Descending the Missouri   c 1845 Oil on canvas 73.7 x 92.7 cm (29 x 36 1/2 in) Metropolitan Museum of Art New York (mk63)
33933  
George Caleb Bingham, Fur Traders Descending the Missouri
 
 Fur Traders Descending the Missouri   mk87 c.1845 Oil on canvas 73.5x93cm New York,The Metropolitan Museum of Art
40692  
George Caleb Bingham, Fur Traders Descending the Missouri
 
 Fur Traders Descending the Missouri   mk156 1845 Oil on canvas 73.7x92.7cm
41353  
George Caleb Bingham, Fur Traders Descending the Missouri
 
 Fur Traders Descending the Missouri   mk161 Oil on canvas
56219  
George Caleb Bingham, fur traders descending the missouri
 
 fur traders descending the missouri   mk247 1845,oil on canvas,29x36.5 in,73.5x92.5 cm,metropolitan museum of art,new york,ny,usa
21449  
George Caleb Bingham, Fur Traders Descending the Missouri (mk09)
 
 Fur Traders Descending the Missouri (mk09)   c 1845 Oil on canvas,73.5 x 93 cm New York,The Metropolitan Museum of Art
22143  
George Caleb Bingham, Fur Traders Descending the Missouri (mk13)
 
 Fur Traders Descending the Missouri (mk13)   1845 oil on canvas,73.5 x 93 cm New York,The Metropolitan Museum of Art
23254  
George Caleb Bingham, Fur Traders Descending the Missourl (nn03)
 
 Fur Traders Descending the Missourl (nn03)   185 oil on canvas h74 x w92cm h29 x w36 1/2 in Metropolitan Museum of Art,New York,NY
42775  
George Caleb Bingham, Indiaan-the hidden enemy
 
 Indiaan-the hidden enemy   MK169 1845 oil Paint on cloth 74.3x92.7cm
31684  
George Caleb Bingham, Marchands de fourrures descendant le Missouri
 
 Marchands de fourrures descendant le Missouri   mk75 vers 1845 Huile sur toile 73.7x92.7cm
85613  
George Caleb Bingham, Mrs George Caleb Bingham
 
 Mrs George Caleb Bingham   oil on canvs 88.9 x 72.4 cm ca 1841 cyf
81631  
George Caleb Bingham, Mrs George Caleb Bingham (Sarah Elizabeth Hutchison) and son, Newton
 
 Mrs George Caleb Bingham (Sarah Elizabeth Hutchison) and son, Newton   oil on canvs 88.9 x 72.4 cm ca 1841 cjr
49329  
George Caleb Bingham, Order NO.11
 
 Order NO.11   mk195 ca.1865-1870 Oil on canvas 55x78
45273  
George Caleb Bingham, Pelzhandler den Missouri hinunterfahrend
 
 Pelzhandler den Missouri hinunterfahrend   mk181 1845 New York
85156  
George Caleb Bingham, Portrait of Vinnie Ream
 
 Portrait of Vinnie Ream   1876(1876) Medium Oil on canvas cyf
31870  
George Caleb Bingham, Raftsmen Playing Cards
 
 Raftsmen Playing Cards   mk77 1847 Oil on canvas 28 1/6x38 1/6in
27007  
George Caleb Bingham, Self-Portrait
 
 Self-Portrait   mk52 1834-5 Oil on canvas 71x57.1cm St Louis Art Museum
3095  
George Caleb Bingham, Shooting for the Beef
 
 Shooting for the Beef  
39065  
George Caleb Bingham, Shooting For the Beef
 
 Shooting For the Beef   mk140 1850 Oil on canvas 84.8x124.5cm
71411  
George Caleb Bingham, Shooting for the Beef
 
 Shooting for the Beef   ca. 1850(1850) Oil on canvas 84.8 x 124.5 cm (33.39 x 49.02 in)
72561  
George Caleb Bingham, Shooting for the Beef
 
 Shooting for the Beef   Date ca. 1850(1850) Medium Oil on canvas Dimensions 84.8 X 124.5 cm (33.39 X 49.02 in) cyf
98200  
George Caleb Bingham, The gypsy encampment
 
 The gypsy encampment   1852(1852) Medium oil on canvas Dimensions 43.2 x 64.2 cm cyf
3094  
George Caleb Bingham, The Jolly Flatboatmen
 
 The Jolly Flatboatmen  
3092  
George Caleb Bingham, The Puzzled Witness
 
 The Puzzled Witness   1874 23" x 28"
28410  
George Caleb Bingham, The Verdict of the People
 
 The Verdict of the People   1845-5 Oil on canvas 116.7 x 164.9 cm (46 x 65 in) The Boatmen's National Bank of St Louis (mk63)
86496  
George Caleb Bingham, View of Pikes Peak
 
 View of Pikes Peak   1872, Oil on canvas cyf
45279  
George Caleb Bingham, Wahlkampfrede oder Stimmenfang im Wahlkreis
 
 Wahlkampfrede oder Stimmenfang im Wahlkreis   mk181 1853-54
45275  
George Caleb Bingham, Zeichnung fir
 
 Zeichnung fir   mk181 Die Heimkehr der Trapper
45278  
George Caleb Bingham, Zeichnung fun
 
 Zeichnung fun   mk181 Die frohlichen Bootsleute
45280  
George Caleb Bingham, Zeichnung fur
 
 Zeichnung fur   mk181 Die frohlichen Bootsleute der Fiedler 1846

George Caleb Bingham
1811-1879 George Caleb Bingham Gallery George Caleb Bingham (March 20, 1811 ?C July 7, 1879) was an American artist, whose work depicted his view of American life in the frontier lands along the Missouri River. Left to languish in obscurity, Bingham's work was rediscovered in the 1930s and he is now widely considered one of the greatest American painters of the 1800s. Born in Augusta County, Virginia, Bingham was the second of seven children born to Henry Vest Bingham and Mary Amend. Upon their marriage, Matthias Amend, Mary's father, gave ownership to the family mill, 1,180 acres of land and several slaves to Henry with the agreement that Matthias could live with the family the rest of his life. Henry offered the land and mill as surety for a friend's debt and, when the friend died in 1818, all was lost. George's family soon moved to Franklin, Missouri "where the land was said to be bountiful, fertile and cheap." Bingham was a self-taught artist. His sole childhood exposure to the field was as a nine-year-old boy, when famed American portraitist Chester Harding visited Franklin looking for business, having recently sketched Daniel Boone in Warren County, Missouri. George assisted Harding during his brief stay, an experience that left a powerful impression. In 1823, Bingham's father, now judge of Howard County Court, died of malaria on December 26 at the age of thirty-eight. To keep the family going, Mary Bingham opened a school for girls and George, then twelve, worked as school janitor to help keep the family afloat. At age sixteen, Bingham apprenticed with cabinet maker Jesse Green. After Green moved, he apprenticed with another cabinet maker, Justinian Williams. Both tradesmen were Methodist ministers and, while under their tutelage, Bingham studied religious texts, preached at camp meetings and thought about becoming a minister himself. Bingham also considered becoming a lawyer. However, by age nineteen, Bigham was painting portraits for $20.00 apiece, often completing the works in a single day. He drummed up work in both Franklin and Arrow Rock and, while his painting abilities were still developing, succeeded in impressing his patrons with his strong draftsmanship and ability to capture the likeness of his subject. Soon Bingham attempted to travel to St. Louis to ply his trade but contracted measles, which left him weak and permanently bald. In 1836, Bingham married Sarah Elizabeth Hutchison, who bore him three children over the subsequent twelve years before dying at the age of twenty-nine. George married twice more, first to Eliza Thomas, who died in a mental institution in 1876, and then to Martha Lykins, who lived until 1890. George's mother, Mary, died in 1851. By 1838, Bingham was already beginning to make a name for himself as a portrait artist in St. Louis, his studio visited by several prominent local citizens and statesmen, including the lawyer James S. Rollins who was to become a life-long friend. To further his education, George spent three months in Philadelphia, Pennsylvania before continuing on to New York City to visit the National Academy of Design exhibition. Bingham was elected to the Missouri General Assembly in 1848. From 1856 to 1859, Bingham studied art with the members of the D??sseldorf School in D??sseldorf, Germany. Critics claim that this caused him to abandon the rustic American style in his art. Upon his return, he began painting less, turning to politics in the post-Civil War years and serving as state treasurer and adjutant general. He was also president of the Board of Police Commissioners for Kansas City, Missouri in 1874, appointing the first chief of police there . Toward the end of his life he was a professor of art at the University of Missouri in Columbia, Missouri.



Sweden Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors